Wednesday, November 30, 2011

Social media has changed the way we exchange information. For me personally, I've started using Twitter and Facebook much more in the last 2 years or so. A lot of that is because of (a) it's just the new trend and (b) we use it to promote and research story ideas for the news.

I think, though, with sites like Facebook or Twitter, you just have to be careful what you post. Don't post things that may get you in trouble at work. Don't post pictures about valuables at home. If you're going out (vacation, even just out for dinner), don't tweet or update your status.

Facebook and Twitter are fun tools. But while its fun for you, it's also fun for a lot of people that are looking at making the most gains because of your carelessness.

Tuesday, July 21, 2009

enjoyed a great dinner last night with the Aon Apps team at Tamarind Seed. I had Kai Pad Prikh Kingh (Beans with tofu), spring rolls, coconut ice cream. Katie, Denise, Sean, Rabi, Dan, Sreekar and Rooks were at the dinner.

Tuesday, July 14, 2009

Twitter and Facebook - two new vocabulary words that have taken over (hence the reason I don't blog as much)! I'd like to think though 10 years down the line, to have a memory of how life was in the 2000's, I can always turn to online tools to relive a part of history.

Speaking of a history, on a very random note, I think our generation has seen quite a lot of historical changes.

- 9/11 terrorism attack (2001)
- Tsunami (2004)
- War on Iraq (ongoing)
- First African-American US president (2008)
- King of pop, Michael Jackson dies (2009)
This week is Studio!'s first piano recital. We have 25 students but only 13 will perform as some of them are out of town and others are too new at the moment. It's very exciting because usually Ashwin and I are used to performing and this time its organizing and managing a show. We plan to give out trophies so I am sure it'll be an exciting adventure for the kids!

Wednesday, December 31, 2008

Here is an essay I wrote about why I want to attend the 2009 inauguration. I saw a contest about this on 11alive and it said the top 10 entries will be picked. Regardless, I thought it was a great way to address politics! Something I have learned a lot about from this election.


GENERATIONAL CHANGE

I am 25. I think our generation has seen change. We've witnessed large scaled terrorist attacks. A tsunami. The existence of a planet that we grew up with to not really be considered a planet. We witnessed change. And the change is continouous. As we embrace an economy that is reminiscient of the Great Depression, we wait. We hope and pray. The change we anticipated is about to be here. A new president. An African-American president. The change that will hopefully transform our view to the world. And yet again, this is another spectacle that my generation will get to witness. Some people look at change as a negative thing. I think it is perception. We like things the way they are. But can we allow a global power like the US to lose dollars, lose our large-scaled industries and only have some spare "change?" I am sure our president will instill not only hope in our economy but a promising era for the kids of today. The kids of today who will shape our world tomorrow. This inauguration is special to me because as an immigrant, I get to witness something that may never happen to me. One of my relatives said, the world is changing. If we have an African-American president, this is great because this opens the doors to other ethnic minorities who can also make an impact. An impact to inspire others. Women. Native Americans. Asian Americans. Hispanic Americans. All men are created equal - the notion on which this country was founded upon. But ironically the change has manifested itself. It can soon say with our new president, all people are created equal. I am not a naturalized citizen. I am a permanent resident. For me, I may not ever stand on the same platform that Obama will stand on in a few weeks. But, we will share his joys, his jubilations as he motivates the fortunate and the less fortunate. As he changes our everyday lives, it will be a window of hope. And for me, and for our generation, a change about how politics will shape our lives today and how these decisions will make or break us tomorrow. Thank you for bringing change to us. A change for our generation. So when I am 55, I can look back and reflect, this is what our generation lived through. The change that our 44th president brought. A change that shapes your lives today in the year 2038.

Monday, July 14, 2008

Sakkarakatti: Audio Review

Marudhaani
A great composition with Rahman's stamp written all over it. The beautiful melody grabs your attention from the start with the pulsating beats. The opening sounds like Swarnalatha's humming from En Vaanil (Kadhal Virus). Madhushree's pronunciations are quite good; it is obvious that she is one of ARR's favorite, although Chinmayee or Shreya would have also done justice to the song. The tune reminds one of Munbe Vaa (Jillunu Oru Kaadhal) and Sahana (Sivaji) especially with Rahman's humming in the interludes. The background beat is reminiscient of Santhipoma (Ennaka 20 Unnaka 18). The chorus effects are soothing with a nice piano piece layered on top of a female whisper. This song will definitely be one of the popular melodies of 2008!

Taxi Taxi
The opening 2 lines are good but once it soon goes into the rap, the song reminds you of Kama Kama (Ennaka 20 Unnaka 18). Definitely not one of my favorites - seems like the song has way too many unecessary effects! There is a French humming in the middle of the song by Vivainne which is similar to Bailamore (Kadhal Virus). This song may be a hit in Madras but nothing special about it in comparison to the rest of the album.

Chinnamma
Rahman's dubbed songs generally do not do well in other languages. However, Chinnamma Chilakamma (Meenakshi) originally sung by Sukwinder Singh, is brilliantly revived in Tamil with a medley of young singers. Benny Dayal and Chinmayee do a great job with the song making it a peppy duet unlike its Hindi version which was only a solo. The song weaves a folk melody with a flute opening and a female chorus. One of the best songs in the album!

Naan Eppoudhu
Yeh Rishta (Meenakshi) is dubbed into Tamil, the second song from Meenakshi, although it fails to impress as much as its original version. The singer, Reena Bhardwaj, has done a good job with the song but the haunting melody in Hindi fails to capture your attention with its Tamil version. Her voice is very sweeet buy the lyrics seem a little forced at times and in general the tune is more North Indian.

I Miss You Daa
I am a huge fan of Chinmayee but maybe this is one of those songs that have to grow on you, which is typical with ARR's compositions. The Eminee humming that Chinmayee renders is haunting. She has a very sweet voice ...it almost sounds like Madhushree at times since its more base than her other songs. A good effort but not great.

Elay
The opening sounds a little like Puddichirruku (Saami) and Roobaroo (Rang De Basanti). The folkish, Iresh genre flavor to the song is very refreshing. Naresh Iyer and Krish do a great job with the song and it is one of the fresher pieces of the album. The lyrics involve several analogies and mixed with English words sprinkled here and there (camera, kaleidoscope, hiroshima, surgery) - seems like non-Tamil words and non Tamil singers are a must for Tamil songs now!

Overall, a great and youthful album by ARR! His first Tamil movie for 2008 after Azhigiya Tamil Maghan last year. Stay tuned for more reviews - next ARR album is Ghajini (Dec 2008).

Friday, June 06, 2008

Nash’s International Nite: from culture to charity for Children’s Healthcare of Atlanta
by Archith Seshadri

Airline: National Association of Serving Hands (NASH)
Terminal: Norcross, GA
Gate: Meadowcreek High School
Flight Date: Saturday, February 16 2008
Flight Departure: 4:00 p.m
Flight Arrival: 8:00 p.m
Destination: World Tour
Flight Status: Charity fundraiser for Children’s Healthcare of Atlanta

National Association of Serving Hands (NASH), an organization founded by youth for youth, organized a spectacular show that showcased the cultural diversity of various dance groups from across the world. The program was emceed by its co-founders, Archith Seshadri and Aishwarya Narendran, who had previously organized NASH’s first event, Children’s Day. The audience got a taste of various cultures all under the umbrella of a noble cause. Some of the performances include:

- Morocccan dance
- Sword balance dance from Turkey
- Classical Indian Kuchipudi
- Latin Salsa – Pasofino Pro
- Brazillian Capoiera (martial arts type dance)
- West African dance with live drumming
- A Capella world fusion group
- Middle Eastern Belly Dance
- Chinese traditional solo
- Argentine Tango
- Fashion show from France
- Scottish Country Dance
- Bollywood film dance

The chief guests for the evening were Rajesh Jyotishi, Khabar co-founder, and Hugh Floyd, state representative. They explained the importance of charity in the community and understanding diversity in today’s ever changing world. The program was graced by around 150 people who generously donated through participating in the raffle draw, ethnic food fair, and even getting a henna tattoo! Local vendors supported the program giving the audience members something to remember for as the community rarely gets a spectacle of a cultural melting pot all under one roof! Proceeds from the event will directly benefit Children’s Healthcare of Atlanta.

The planning team (Supriya Shridharan, Haritha Viravalli, Madhuri Tondepu, Archith Seshadri and Aishwarya Narendran) consisted of students and recent college graduates. They worked tirelessly over the last 2 months to put together a successful show for charity. NASH is hoping that this program will grow over the years and has already started working on ideas for next year’s program to make it an annual event. NASH’s mission is to aid youth development and education through cultural diversity. For more information on programs and about the non-profit, visit www.nashforchildren.org.
almost a one year hiatus of not posting. the last year has definitely been interesting with a lot of changes ...most of them for the good. significant things that have happened since jun 07 and jun 08:

- started voice lessons for the first time along with piano with alla (jun 07)
- went to SAJA conference in New York (jun 07)
- went to AAJA conference in Miami (aug 07)
- performed Chaand Sifarish (Fanaa) at the Festival of India (aug 07)
- performed at the shaam-E-sargam recital (sep 07)
- attended workshop at PeopleTV (oct 07)
- performed 'Sahana' (Sivaji) at GATS Pongal (jan 07)
- started eKhabar - weekly broadcast (jan 07)
- organized NASH's second fundraiser event for Children's Healthcare of Atlanta, International Nite (feb 08)
- attended first MAGS luncheon with the Khabar team (feb 07)
- attended nisha/ranit's wedding in india (mar-apr 08)
- sang 'Yesterday' (Beatles) at the Peggy Still School of Music spring recital (apr 08)
- got a multimedia associate news producer role at 13WMAZ to write stories for the web/evening news (may 08)
- transitioned half of the piano students to Ashwin due to weekend journalism stint (jun 08)

so it has been an interesting year definitely. my brother is going to be teaching piano at the montesorri school and take some of my students.

Tuesday, June 26, 2007

Hope you guys enjoyed reading the article - it was a little 'rushed' but we had to get it done ASAP because of our upcoming issue deadline.

The concert was awesome but meeting the singers and ARR backstage was a dream come true. They were all very friendly - especially Naresh Iyer and Vijay Yesudas who put down their bags and stopped to chat and sign autographs. ARR is very humble and offered to take pictures with us. BlaaZe is very laid back and stopped to talk to us as well. Madhushree, A.R.Raihanah, Tanvi Shah were also very cool. Did not get a chance to talk to Hariharan and Sadhana as much!
A.R.Rahman awakes "Atlanta's" Dreams – Rahmania!

By Archith Seshadri
sesh1175@gmail.com

The Philips Arena is accustomed to athletic events with cheerleaders and fans alike rooting on for their favorite teams. However, June 23 rd, 2007 marked a different fan base at this venue as it was transformed into a spectacular concert with ardent fans all rooting for their one favorite star, the musical legend, A.R.Rahman.

As Rahman made his grand entrance, with his suave white suit and calm demeanor, the audience's energy went up after their nearly one hour wait to welcome the man of the evening. He opened with Jaage Hain (Guru) and continued with a more middle-eastern flavor in Khal Bali (Rang De Basanti). Hariharan, dressed in sleek black, polled the audience Telephone Dhun Mein Hasne Wali? (Hindustani) alternating to Tamil while thoroughly enjoying himself on stage. A versatile artist, he continued to sing Pachai Nirame(Alai Payuthe/Saathiya) and one of A.R.R's classics, Roja Janeman (Roja).

In a gorgeous, turquoise gagra chole, Madhushree had excellent stage presence as she welcomed Vaaji Vaaji Sivaji with Hariharan. The Atlanta audience definitely realized that not only was A.R.Rahman a demi-god, but also southern superstar Rajnikanth as the group performed to all of the songs from his recent Tamil hit, Sivaji. Perhaps since singers Chitra and Sukwinder Singh were not present at the concert, the group had to reinvent the wheel by adding more regional songs. However, the songs should have probably have been selected in such a way that all audiences could have appreciated them instead of only a single faction of the community. Although the audience was very supportive with many people dancing and cheering during the Tamil songs, the group could have possibly attained more adulation if they had delivered songs that were made in all three languages: Tamil, Telugu and Hindi.

Naresh Iyer, a recent ARR discovery, proved that he knows to "loose control" on stage as he ebulliently sang Maasti Ki Paatshaala and Rooabroo (Rang De Basanti). The young singer proved that he not only had a fantastic vocal range but also the skills needed to be a true artist, as he danced on the stage, maintained breath control and asked the audience to "be a rebel!" The Sivaji saga continued as Vijay Yesudas, son of the legendary singer Yesudas, beautifully sang Sahana and the rocking-punjabi'sh number Balle Leka along with Tanvi Shah, Sayonara and A.R.Raihanah (A.R.Rahman's sister).

Sadhana Sargam, who has performed many songs in Tamil and Hindi, performed one of her favorite ARR songs, Chupke Se (Saathiya). Madhushree came back to sing Kabhi Neem Neem/Sanda Kozhi (Yuva/Ayutha Ezhuthu). However, the audience was ecstatic when Rahman himself delivered from the heart, Dil Se Re (Dil Se).

Bandana clad BlaaZe, a contemporary hip-hop find by Rahman, proved that Indians can certainly rap as he performed with Style (Sivaji). He also emceed portions of the concert that was executed without any interruptions. Although, some people felt that the background music was a little loud at times, the energy in the atmosphere did not stop them from singing and dancing to their favorite tunes. Another Rajisthani artist, in absence of Sukwinder Singh, performed Chaiya Chaiya (Dil Se) with the assistance of some of the other chorus singers, including Naresh Iyer. Naresh Iyer helped maintain the beat of this song as well; having performed this in front of A.R.Rahman earlier in the Super Singer contest, he delivered this song also with finesse.

The audience took a few minutes to carefully observe the brilliance of drummer Sivamani, as he took them on a tour of India. Starting with the traditional South Indian ketti mellam that is played at weddings, he transcended to the dandiya beats of Gujarat before bhangra-ing with the dhol. A very talented percussionist, he was accompanied by an American vocalist who flawlessly enunciated the beats or taal.

Surprisingly, the group did not perform any songs from Taal or Rangeela but several favorites from his more recent movies. Rahman soulfully asked to Pray For Me Brother on his mission to end poverty.

Hariharah, Sadhana Sargam and another guest artist came up on stage to do an unplugged segment with Rahman on the piano. Ranjani Vijay, a singer from California, was invited to perform a song with the group as the winner of the "Voice of Ameica" talent search contest. She showcased her vocal talents by singing the jazz number from the title track of Jillunu Oru Kaadhal. Hariharan asked the audience to repeat after him by giving them a vocal 101 lesson on classical music as he beautifully forayed into Ey Hairathe (Guru). The Telugu audience of Atlanta was overjoyed as he sang Nellori Nerajana (Oke Okkadu – Telugu). Surprisingly, the song was not performed in Hindi (Chalo Chale Mitwa – Nayak) or Tamil (Kurruku Chirutavale – Mudhalvan).

The next act proved to not only showcase a brilliant composition but also a very elegant belly dance number, Maiyya Maiyya (Guru), by singer Neeti who also demonstrated her dancing abilities. While Blaaze introduced the other talented instrumentalists, the audience came to the acceptance that many of the songs were probably performed to karaoke tracks. This could be due to either the difficulty of replicating the songs live on stage or possibly the schedules of the artists.

Hariharan and Sadhana came back to showcase the romantic Chanda Re (Sapnay) followed by Rahman who reached all the high notes of Tera Bina (Guru) with ease. Ranjani Vijay sang Ika Onkar (Rang De Basanti) beautifully followed by several of the younger artists including Tanvi, Sayonara, Vijay and Naresh who sang the Boys hit SaRiGaMe! Blaaze and Rahman asked the audience to groove in to Humma Humma (Bombay) as the concert drew to a finale.

The Atlanta audience gave it their best as did the talented musicians, singers, dancers and instrumentalists for this 1D concert (wonder what happened to the 3D component!). The patriotic Maa Tujhe Salam (Vande Matram) ended the three hour concert – although perhaps if the concert had started earlier and not at IST, they would have been able to have a longer program. Overall, it was a wonderful and engaging experience for concert goers as it drew quite a large section of the Atlanta crowd. Although, not house full, the fans enjoyed themselves and cheered on for more "Rahmania." The amount of energy the artists delivered with was manifested on stage, despite having a very hectic schedule on their North American tour. Rahman poignantly apologized to the audience for having to postpone the Atlanta concert from the Memorial Day weekend. Even though there were some issues at times with the sound, and not all the tracks were live, the concert was professionally executed with something to leave the Atlanta audience talking about.

Song List

Jaage Hain (Guru)
Khal Blai (Rang De Basanti)
Telephone (Indian/Hindustani)
Pachai Nirame (Alai P ayuthey)
Roja Janeman (Roja)
Vaaji Vaaji (Sivaji)
Sahana (Sivaji)
Masti Ki Paatshala (Rang De Basanti)
Roobaroo (Rang De Basanti)
Balleleka (Sivaji)
Chupke Se (Saathiya)
Kabhi Neem Neem/Sanda Kozhi (Yuva)
Ghannan Ghannan (Lagaan)
Dil Se Re (Dil Se)
Style (Sivaji)
Sivaji Theme (Sivaji)
Adirathee (Sivaji)
Chaiya Chaiya (Dil Se)
Dor
Sivamani drums (wedding, dandiya, punjabi)
Pray For Me Brother – unplugged
Sadhana/Hariharan/Ranjini Vijay – Jillunu
Ey Hairathe (Guru)
Nellori Nerajana (Oke Okkadu)
Maaya Maaya (Guru)
Chanda Re (Sapnay)
Tera Bina (Guru)
Ika Onkar (Rang De Basanti)
Sarigame (Boys)
Humma Humma (Bombay)
Vande Mataram --